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EMS, known to glossolalians for her synth wizardry in PRIZEHOG, is joined here by Jem of Australian bruisers DEAD for 31 minutes of deep space exploration and skull excavation.

EMS augments her usual electronic arsenal with sparse and effective percussion for what can only be described as ritualistic friendship questing of the highest order.

Available now in limited quantities in our store and from finer shops.

More info below…

This Saturday, May 27th, come hang at The Park Church Co-op (129 Russell St.) in Greenpoint, Brooklyn in celebration of the release of the Ornament EP, “A Lion is a Lion” on Sleeping Giant Glossolalia.

Patrick Holmes
Robbie McDonald & Rose Kallal
Ancient Remains (Reuben Lorch-Miller)
Mike Bones & Sasha Vine Duo
Ornament

Tunes will start around 7pm as the show needs to finished by 11pm. $10.

All proceeds/profits, including sales of the EP, will be donated to help buy trauma kits for YPG/YPJ (People’s Protection Units) in Northern Syria/Rojava.

RSVP here.

Painfully stacked bill here in NYC this Saturday with MULTICULT, GNAW, THE AUSTERITY PROGRAM, & OPENING BELL at Saint Vitus.

Prints of this lovely poster by Steph Monohan will be available!

RSVP here.

Sleeping Giant Glossolalia presents…

Friday, April 14

AZONIC – orchestral drone from Blind Idiot God, Khanate members
More info here.

FRKSE – beat-driven post-industrial from Boston
New album here.

FINAL BOSS – NYC bunkerbeat/ritual electroics abuse
Latest album here.

BLANKO & NOIRY – multi-generational performance collaborative featuring Chris Kachulis, Frank Haines and Reuben Lorch-Miller whose work is based on mutual interests in ritual, Vaudeville, show tunes, the occult, psychodrama, Viennese Actionism and experimental electronic music.
More info here.

Celebrating the commencement of collaborative FRKSE/Final Boss east coast live actions and the release of split recordings.

1120 Manhattan Avenue
Brooklyn
8pm
$10

RSVP and purchase tickets HERE.

Tour with FRKSE starts next weekend here in NYC(dates below). FRKSE/Final Boss split cassette available at the shows!

Paying tolls and taking names…

April 14 NYC Saint Vitus w/Azonic(Blind Idiot God, Khanate) & Blanko & Noiry

April 15 Washington DC 16th St House w/ The Wayward

April 16 Providence Dusk w/Tovarish, Power Monster

April 17 Philadelphia Pharmacy w/ Drums Like Machine Guns, Cemetery Flowers

April 18 Boston Studio 550 w/ Homeworld

FRKSE/Final Boss split cassette available at these shows!

Brown Angel “See That I Am Scourged” video premieres today at Decibel Magazine.

“It’s similar to watching that TV show Planet Earth if it was made by people who absolutely fucking hated the Earth.”

Vid the video at our Vimeo channel, which is like an alternate reality MTV where the programming is done right, or depending on who you ask, terribly, terribly wrong.

Pickup “Shutout”, on beautiful not-quite-clear vinyl including download, from our store.

“This Saturday Final Boss get unconventional, incorporating a live human behind a drum kit. We’ve imported him from overseas for a demonstration on the limitations and possibilities of organic/synthetic elements when forcibly fused together at high volumes.

Myriaid, who expertly blend icy and hot, will offer a counter argument utilizing voice, electronics, science, and magic(and presumably, guitar).

Lawsuits will conclude the proceedings with a discussion on the place of amplified electric guitar in South Brooklyn and the long-term effects close proximity to the tool can have on physical, mental, and financial well-being.

Any tangible profits attained by the performers will be used to further pursue unhealthy lifestyles and questionable courses of action. Thank you in advance.”

Saturday March 25
10pm
Gold Sounds
44 Wilson Ave. Brooklyn, NY 11237

RSVP here.

ORNAMENT “A Lion is a Lion” 12″ SGG-039

“A Lion is a Lion” is the long-awaited 12″ EP from one half of the founding core lineup of long-running experimentalists/upstarts GROWING.

Following up his 2015 release Protest Music, Joe DeNardo’s ORNAMENT returns with an EP of expansive soundtracks asking the listener to dream of alternative futures, dystopias, new ways.

The title takes it’s inspiration from the common Kurdish saying “Şêr şêre çi jine, çi mêre”, a response to questions about the efficacy and equality of revolutionary fighting forces by all genders. We are all equal. We can all fight.

Keeping with an instrumentation of guitars and electronics, “A Lion is a Lion” performs like a mixtape of six investigation zones, digging into sonic territories and finding rather unstable footings.

Unique, die-cut LP jackets provide an “interactive” experience for the listener. Strictly limited pressing. Download included.

Procure from our shop HERE.

CHILD ABUSE – “Hidden in plain sight. Blatant, arrogant, mocking. Makes me sick. All protected no doubt by some higher power”
“I am horrified. That noise did damage to my soul. So creeped out. Glad I didn’t watch this before bed.” – confused YouTube users

SILK PURSE – ex Sightings

GAY CUM DADDIES – “Your parents must really be proud. This no wave/art rock band from Denton, Texas, “spews” squiggly nonsense. If you like your squiggly nonsense “ejaculated” by a four-piece called Gay Cum Daddies, well, hey nerd, I wish you the best. I cannot endorse this cassette with my recommendation.”
posted by cassette gods at 8:00 AM

CUTOUT LOVER – Paige Johnson-Brown, Chris Pitsiokos, Andrew Smiley, Henry Fraser, Connor Baker

8pm 21+

Don Pedro
90 Manhattan Ave
Brooklyn

$10

RSVP here.

Pre-order Insect Ark “Portal/Well” LP now! Limited edition, hand-numbered, screen printed jackets…

Beginning in New York City in late 2011 as the one-woman solo project of bassist/multi-instrumentalist Dana Schechter (M. Gira’s Angels of Light (Swans)/Bee and Flower, Neurot Recordings), the band became a duo in 2015 with the addition of Portland-based drummer Ashley Spungin (Taurus). Largely instrumental, the band are equally inspired by experimental doom/drone, 60’s horror film soundtracks, psych, and traditional classical composers.

Creating a personal soundtrack to the human psyche’s underbelly, Insect Ark weaves a brooding, textural landscape, a starless night spiked with light and flash. The music braids together delay-drenched lap steel guitar, acoustic and electronic drums, distorted bass & synths to create a sonic mural both uncomfortably intimate and icy cold.

You’ve likely encountered Schechter’s large and eclectic body of work through her collaborations with Locrian, Enablers, Gnaw, Wreckmeister Harmonies, her earliest efforts in Gifthorse(with Leviathan/Lurker of Chalice’s Jef Whitehead), or stints with American Music Club and 4AD’s Tarnation. “Portal/Well” delivers on what Pitchfork called Insect Ark’s sense of “metamorphosis, loss, and menacing dream logic” while The Wire has stated that Insect Ark “stand in the lineage of other crypto-metal solo projects – Earth circa Phase 3: Thrones And Dominions, or ex-Earth associate Joe Preston’s project Thrones and that “a spacious, noir-ish jazz elegance permeates, approaching the atmosphere of Germany’s Bohren and Der Club Of Gore.”